"Don't Move" Review: Raimi's Modest Thriller
Let's face it, we all love a good scare. And when it comes to horror, Sam Raimi is a name that makes us sit up and take notice. But "Don't Move," his latest foray into the genre, isn't the bone-chilling, over-the-top spectacle we've come to expect from the man who brought us "Evil Dead." It's a more modest affair, a slow-burn thriller that relies on atmosphere and suspense.
A Quiet Terror
The movie follows a young woman named Sarah, played by the always-reliable Anya Taylor-Joy, who finds herself trapped in a secluded cabin. She's been injured and can barely move, which is ironic, considering the title. While the cabin is creepy enough, the real terror comes from the unseen, the unknown lurking just outside the windows. The pacing is deliberate, building tension with every creak of the floorboards and every rustling of leaves.
Raimi's Restraint
Raimi, known for his over-the-top horror, shows a surprising level of restraint here. "Don't Move" is more about psychological terror than jump scares. The film uses the claustrophobic setting and Sarah's isolation to create a real sense of dread. Sure, there are a few moments of violence, but it's not the gory, splatterfest we might expect from Raimi. Instead, it's more about the slow, simmering fear that creeps up on you.
A Satisfying Resolution
Ultimately, "Don't Move" is a slow burn. It's not for everyone, especially those who prefer their horror with a side of gore. But if you're looking for a well-crafted thriller that gets under your skin, then give this one a shot. The payoff is satisfying, even if it might leave you feeling a little unsettled.
The Final Verdict
"Don't Move" is a refreshing take on the horror genre. It's a quiet film that relies on atmosphere and suspense to deliver its chills. It's a different kind of Raimi film, but it's one that stays with you.