**Encounters: Royal Ballet's Up & Down**

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Post on Oct 23, 2024

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Encounters: The Royal Ballet's Rollercoaster Ride

The Royal Ballet's Encounters program is like a box of chocolates – you never know what you're going to get. It's a platform for showcasing new work, which means some pieces hit the bullseye while others fall flat. This year's program felt like a rollercoaster ride – a wild mix of emotions, styles, and artistic choices.

The Highs:

"The Unfolding" by Arthur Pita was a real stand-out. It was dark, dramatic, and deeply moving. The choreography was a masterpiece, with a blend of contemporary and classical elements. The story was told through the dancers’ movements, and their raw emotion was palpable.

"Raven Girl" by Wayne McGregor was another highlight. This piece was bold, vibrant, and full of energy. The costumes were eye-catching, the music was funky, and the dancers were on fire. It was a total blast.

The Lows:

"The Unknown" by Cathy Marston felt a bit lackluster. The choreography was uninspired, and the story lacked depth. It wasn't a total dud, but it didn't leave a lasting impression.

"The Ritual" by Alexander Ekman was definitely the most polarizing piece. It was a wild, chaotic mix of contemporary dance and slapstick humor. Some people loved it, others hated it. It was definitely memorable, but not necessarily for the right reasons.

The Verdict:

Encounters is a program that should be applauded for its ambition. It gives young choreographers a chance to showcase their talents, and it pushes the boundaries of contemporary dance. However, it’s not always a smooth ride. There are some rough patches, but the highs definitely outweigh the lows. Overall, it's a program that you'll want to see for yourself, even if just for the wild ride.